Showing posts with label waterfront dispute. Show all posts
Showing posts with label waterfront dispute. Show all posts

Wednesday, June 11, 2008

ImpossibleImprobable Dockland- 'Row'



I located imagery of the oft cited despised guards with dogs that had been called in to protect non-union labour 10 years ago. I projected a drawing based on this subject onto the cardboard hulls along with tracings of the old rowboat picture and the phrase ‘chasing non-unionists down the river.’ I used two cardboard boxes to cover the overhead projectors, this strategy worked well as many viewers were puzzled as to from where the images were being projected. Flattened cardboard boxes were an appropriate material in which to construct the hulls as it referenced the goods loaded and unloaded at the docks.

This piece was titled ‘Row’, the dual meaning of the word suiting the objects and the subject matter. In order to row effectively everyone in a boat needs to be finely tuned to the others in a cooperative effort. Lending itself to associations with adages such as ‘don’t rock the boat,’ and the nursery rhyme ‘row row row your boat, gently down the stream, merrily merrily merrily merrily, life is but a dream.’ The nursery lyrics have often been used as a metaphor for life’s difficult choices, and the boat can be viewed as referring to one’s self or a group to which one belongs.

As an imagined work it would be a group of three boat hulls, one upturned, projected onto from the wall above using animated images and sound. The images would combine existing footage and reenactments to navigate the ‘Us versus Them’ mindsets towards an impossible resolution. The concept of ‘white noise’ comes to mind in terms of the effect I would like to engender, being at times stormy, then calm. A sound recording would provide a counterfactual history where out of the white noise the nursery rhyme surfaces being sung in unison then rounds by adult voices.

Dockland an ongoing contested site




Waterfront dispute

Monday 7th April 2008 was the 10 years anniversary of the waterfront dispute between the Patricks Corporation and the Maritime Union. The union was holding one minutes silence to commemorate of the event. Protagonists from that time were interviewed on both radio and television and were still quite heated in their views, especially Chris Corrigan, then owner of Patricks. Another key person from the dispute was Greg Combet, who has been prominent recently in the defeat of the Howard government and its WorkChoice legislation. The terminology of both sides is couched in analogies of war and battle – fulfilling the ideological stereotypes of Capital versus the Organised Labour Movement. How unions particularly create Mythology around an event. Also of interest is how each side views themselves as the winning side.

I had previously noticed on informational signs on Dock 9 an historic image of men in a rowboat subtitled “chasing non-unionists down the river.” In terms of the project ImpossibleImprobable it gave rise to considerations of the recurring nature of conflict at the site. How fixed ideologies on both sides gave rise to unresolved tensions, which could be viewed as a notional polemical rapids, a concept compatible with the physical nature of the Staircase site.